EDWARD CLARK brings us a Tripsichorean 12 year course condensed into one workshop! Tripsichore Sun Salutes, Partnering, And Beyond
Workshop is at Triangle Yoga, March 5th-7th, 2010 $200 for the entire weekend Call 919-933-9642 to register. Early bird fee $200 if paid prior to Feb 14th, after which the fee is $250
Friday 6pm-8pm Introduction to the Tripsichorean Sun Salutes TRIPSICHORE SUN SALUTATIONS . . . These consist of some extraordinary variations and are constructed to work on a variety of bhanda principles...how to float in a jump back or jump forward…how to change a Crow into a Headstand or even a Handstand…how to incorporate spinal twists in a vinyasa.. VINYASA in our definition, is the evenly metered flow of movement, breath and thought resulting in a smooth, uninflected state of being. The vinyasa techniques are pursued to bring about clarity and stability to one’s thoughts and actions. Tripsichore endeavours to do this in class and onstage.
Saturday 12:30pm-5:30 The study of partnered and acrobatic choreography from Tripsichore’s repertoire. Refine Your Flow, Balance and Contact Oh yes, there’s strength, flexibility and balance a-plenty in Tripsichore's choreography, but there’s something much more too, which goes to the heart of yoga. The flow of partnered choreography requires a continuous awareness directed not just to getting the moves right, but to the ongoing narrative context. To put it another way, the yogi creates “meaning” through their relationship with the partner as well as the world the characters inhabit and this is a “meaning” beyond words. The meaning is present wholly within the work of art. So, there’s interesting balances and great looking poses gracefully entwined and atop one another, but the next level is where you make all this activity mean something. This workshop is particularly appropriate for yoga practitioners who have some experience in the Acro-Yoga vein, but also promises to reveal much that is relevant to ANYONE seriously looking at the development of their yoga practice.
SPECIAL PERFORMANCE EVENT "The Last Breath" 7:30pm-8:30pm Tripsichorean Performance with Edward Clark and Nikki Durrant $20 at the door (Workshop participants free of charge) This is the intense story of the final breath of a woman and her post-death experience. The work is performed by Tripsichore's Edward Clark and Nikki Durrant. Tripsichore uses yoga to create theatrical works and finds that the postures used in a vinyasa fashion are the ideal vehicle to express the themes of harmony, balance, spirituality, ecstasy, bliss and mysticism because they are exactly about these subjects in and of themselves.
Sunday 12:30pm-3:30pm Advancing Your Practice It isn’t what you do; it’s the way that you do it. Learning and mastering a new posture is always exhilarating. Finding new depths in that which you already do well is the thrill whereby the everyday becomes illuminating. One of the reasons for holding postures for a long time is to accustom the practitioner so deeply to the activity that it begins to reveal new layers of meaning. Yet, in a vinyasa practice we try to find these depths through continuous and evenly metered movement. This workshop considers the similarities between these two ways of working in yoga.
A COMPREHENSIVE FOCUS ON THE TRIPSICHOREAN TECHNIQUE Please note: Previous yoga experience is recommended because we will be working with advanced asanas; however, those fairly new to yoga will find the workshop safe, accessible, and entertaining. This is a yoga experience unlike any other. Edward Clark, is the creator of Tripsichore, an innovative London-based company that evolved from a contemporarydance troupe into a revolutionary yoga performance team. Tripsichore techniques are for anyone interested in expanding their potential. We will explore and analyze technical approaches to breathing, backbends, bandhas, vinyasa, and inversions, with the aim of experiencing how energy flows through the body to create the sacred geometry of yoga. This weekend you will learn Tripsichore partner work and Sun Salutes, including extraordinary variations that work with a range of bandha principles. You will also discover how to confidently execute inversions- with an arrayof exciting selections for those who already love being upside down-and go deeper into backbends. Beyond the feeling of well-being that comes from gaining mastery, Tripsichore techniques also lead to something greater-an understanding that every action or thought, however small, makes a difference to the cosmic whole. Edward Clark will share some of the secrets of their technique. Sequestered in their studio in London, the company has worked daily for the past 15 years to devise and refine yoga techniques of asana, pranayama, pratayahara, dharana, and dhyana…making excursions out to perform their creations to audiences worldwide. Until now, their techniques have only been taught to a very few. Lots of people have an adequate understanding of things like Breath, and Mula and Uddiyana Bhandas, but we’re going to seriously get down to these in ways that happen infrequently, if at all, in classwork and workshops. So you know one kind of Jalandhara Bhanda, but have you considered the other options or have you accepted one dogma? How often do you really use Pratayahara techniques? Can you demonstrate and experience the difference between Dharana and Dhyana? Well, these workshops are only our take on these subjects, but it is a coherent and thoughtful one. Yes sir, it’s the 12 year Tripsichore Course in Yoga condensed into one full weekend. |
VINYASA – INNOVATION AND ORTHODOXY
This intensive weekend consists of the following:
The concept of vinyasa as applied to yoga philosophy could either be considered very ancient or radically new. In either case, vinyasa seems to be the great contribution to yoga of this particular generation of yogis. Most yoga discipline has worked on refining one’s self in the direction of greater stillness – an absence of movement in the mind and body. Superficially, vinyasa would seem to contradict this. However, the mental focus and physical technique needed to bring about continuous fluid movement can also bring one to a “seat” of great stability and clarity. The stability is not only in the posture, but in the transition between postures – to the point where there is no distinction between movement and stillness. The place of vinyasa in the history of yoga is yet to be determined, but as yoga has become a world wide pursuit, it is probably safe to say that its importance now also lies in how people begin to apply it outside the more traditional places it has been practised.
VINYASA in our definition, is the evenly metered flow of movement, breath and thought resulting in a smooth, uninflected state of being. The vinyasa techniques are pursued to bring about clarity and stability to one’s thoughts and actions. Tripsichore endeavours to do this in class and onstage.
TRIPSICHORE SUN SALUTATIONS
. . . These consist of some extraordinary variations and are constructed to work on a variety of bhanda principles. (e.g. how to float in a jump back or jump forward…how to change a Crow into a Headstand or even a Handstand…how to incorporate spinal twists in a vinyasa)
THE INVERTED WORK
. . . If you are scared by the prospect, this really is THE opportunity to get down to beating the fear by discovering how to safely and confidently execute inverted postures. If you love inverted work, this is the chance to glory in some of the most exciting variations you are likely to see. We’ll accommodate everyone.
BACK BENDS
. . . It isn’t just about how flexible you are (okay, it helps), but it is really about what you do when you get there. This will not just be static positions, but will look at approaches to vinyasa within a back bend situation.
ABOUT TRIPSICHORE

Edward Clark, founder of Tripsichore Yoga Theatre, is London based yet known all over the world
for his innovative work. His troupe of extraordinary yogi-artists travels extensively bringing
the beauty and grace of yoga into communities everywhere.
Tripsichore began in 1979 as a company devoted to creating full length dance narratives. We explored a variety of stylistic forms including punk ballet, conventional modern dance and strict neo-classical technique. We used masks, performed with rock bands and did pop videos. While yoga was always a part of our training, it wasn’t until 1992 that we realised the expressive potential and choreographic viability of yoga postures. Once we began to devise works using yoga asanas, their extraordinary artistic logic became evident. Surprisingly, it would seem that there has been no orthodox tradition for using yoga technique to create dances in the 5000 year history of the discipline. The postures intrinsically possess a sumptuous beauty and fluidity. They are the ideal vehicle to express the themes of harmony, balance, spirituality, ecstasy, bliss and mysticism because they are exactly about these subjects in and of themselves. We are now 13 years into this experiment and each day brings new discoveries.
Please visit www.tripsichore.com

ABOUT EDWARD
Edward Clark is the creator of Tripsichore Yoga Theatre, the London based yoga group who have delighted audiences in Europe, North America and Asia with their sensual and lyric application of yoga to make serenely absorbing performance art. Tripsichore Yoga Theatre have been hailed as some of the most innovative practitioners of vinyasa yoga. Sequestered in their studio in London, England, the company has worked daily for the past 12 years to devise and refine yoga techniques of asana, pranayama, pratayahara, dharana, and dhyana…making excursions out to perform their creations to audiences worldwide. Until now, their techniques have only been taught to a very few.
Edward Clark began studying yoga in 1979. Noteworthy among his teachers are Narayani and Giris Rabinovitch, but he confesses huge admiration for the Ashtanga Vinyasa, Sivananda, Iyengar and Viniyoga practices. The technique Tripsichore uses is a synthesis of many aspects of yoga. Edward says, "We are quick to disclaim that what we do is dance. While there are dancers in the company, there are others who have never been in a dance studio. They meet on a common ground of pure yoga." Edward is also the Head of Movement and Dance at the prestigious Webber Douglas Academy of Dramatic Art in London where he has taught for the past 22 years (students include Minnie Driver, Julia Ormond, Rupert Evans). "The incorporation of yoga in the training of actors was an outrageous idea 10 years ago, but is now being adopted throughout training institutions in the UK," says Mr. Clark.
Edward says, "The concept of vinyasa as applied to yoga philosophy could either be considered very ancient or radically new. In either case, vinyasa seems to be the great contribution to yoga of this particular generation of yogis. Most yoga discipline has worked on refining one’s self in the direction of greater stillness – an absence of movement in the mind and body. Superficially, vinyasa would seem to contradict this. However, the mental focus and physical technique needed to bring about continuous fluid movement can also bring one to a "seat" of great stability and clarity. The stability is not only in the posture, but in the transition between postures – to the point where there is no distinction between movement and stillness. The place of vinyasa in the history of yoga is yet to be determined, but as yoga has become a world wide pursuit, it is probably safe to say that its importance now also lies in how people begin to apply it outside the more traditional places it has been practised."
VINYASA in our definition, is the evenly metered flow of movement, breath and thought resulting in a smooth, uninflected state of being. The vinyasa techniques are pursued to bring about clarity and stability to one’s thoughts and actions. Tripsichore endeavours to do this in class and onstage. Edward fuses keen artisitic vision with deep understanding of the essentials of yoga practice.
Edward's creativity is expressed in many mediums.
Some photos from previous Tripsichore Workshops and performances at Traingle Yoga
